Author Archives: lsaboe

dog gargoyle found a home

My little dog gargoyle was in a show recently at the JAM Gallery in Malvern. This little boy has been yearning for a forever home and he found one.
Thanks JAM for the sale!

Dog Gargoyle by Linda Saboe

Dog Gargoyle

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pastel by fire

Many decades ago, I bought a set of pastels at a fire sale. It was a real fire at a local store where I lived at the time. The owners sold everything in stock that was not too badly damaged. Mostly, things just smelled of smoke. I scooped up a 90 color set of Rembrandt soft pastels for a song (no dance). I recently looked up the going price for the set in today’s market and it was something over $300.
(ack! I did get a deal)

Anyway, I did of few pictures with them, teaching myself as I went along and they were okay. And then my mom died, life got way busier shuffling home, work, kids, 2 jobs, and all the rest that goes with being a single mom with no money. There was really no room (or time) for art. I did a few pastels now and then for friends but nothing worth noting.

So now with my kinda-sorta project of producing works on paper of animals that are endangered, maligned, or misunderstood, I thought I’d break out the pastels and see if I remembered how to make them work. Here’s the test, on a baby robin that I snapped a picture of while he was perching on the cable wire outside my window. Even though his mom was still feeding him, he felt quite proud of himself and his new found freedom.

Bird on a Wire by Linda Saboe

Baby Bird on a Wire by Linda Saboe


white on white

I have an online friend who is an amazing artist, sculptor, and photographer. Her wildlife photography brings me to tears (literally) with it’s beauty and sensitivity. Recently, I asked if she’d allow me to use some of her photos as art reference for my work and she said yes.

When I saw her photograph of an egret, I wanted to do a minimalist, “white on white” drawing. Not sure if I pulled it off to my satisfaction but I think it’s okay for a first attempt.

Egret by Linda Saboe

Great Egret by Linda Saboe. Graphite, 9×12″ reference photo by Pat Lillich.


my heart

It’s been a while since I posted anything here. This is a hard one because my heart is broken. My dear, sweet Loki passed away on Nov. 17, 2016. She was just shy of 16 and the light of our lives from the day we rescued her from a (then) kill shelter at around 6 months old. This month, I was able to finally sit down, go through the many hundreds (maybe closer to a thousand?) photos of her for a portrait. I settled on a photo that I’d taken of her in Feb. 2016. So through my tears, here’s my sweet girl.

Loki looking back by Linda Saboe

Loki looking back © Linda Saboe, colored pencil, 8″x10″


not that wolverine…

The Wolverine, Gulo gulo, lives in the most severe climate in the far reaches of the northern hemisphere. The largest member of the weasel family, looking more like a bear than a weasel, she lives a mostly solitary life. Fierce, stocky and strong, she can bring down prey much larger than herself but due to the harsh climate, the wolverine will partake of most anything she can come by from Elk to rabbits, mice, carrion, roots and berries. Of course, this makes her terribly misunderstood and maligned as noted by the name we’ve given her: Gulo, latin for glutton.

Wolverines need a large territory in which to hunt and mate and are not willing to share with others. A lucky male will usually form lifelong bonds with a few females, whom he will visit from time to time, mating and hanging out with the young until they are weaned. Sometimes the young will go traveling with Dad when they get older until they settle in their own territories.

Highly endangered through hunting, trapping, climate change and shrinking habitat, the numbers worldwide are not known but according to Defenders of Wildlife there are approximately 250-300 individuals in the contiguous United States.

I’ve been fascinated by this animal for many years though I’ve not attempted to draw, paint or sculpt her until recently. This newest sculpture took me a long time but then it takes time to get to know this beautiful, misunderstood creature.

Wolverine by Linda Saboe

Wolverine by Linda Saboe

Here’s a closeup of the face. Everything about the Wolverine is sort of solid and square.

Wolverine (detail) by Linda Saboe

Wolverine (detail) by Linda Saboe

Here also, the charcoal drawing I did a while ago.

Woverine Watches by Linda Saboe

Woverine Watches by Linda Saboe. Charcoal, 12″x14″.
Resource photos: Dreamstime/Dennis Jacobsen and Dreamstime/Vladislav Jirousek.

 


no space plus flamingoes

For the past 5 or 6 years, I’ve been concentrating on learning to sculpt in clay. I think I’ve managed to get a handle on the medium and looking back on my sculptures, I believe I’ve progressed reasonably. I’m even rather proud of a few of my pieces, and that, for those who know me, is quite a statement.

but

There are issues. One is that the art center I go to has become prohibitively expensive. I would buy a kiln but there is no safe place to install it in this teeny, overpacked house. So, my plans to sculpt a series of endangered, misunderstood and maligned animals has become undoable.

Before I began sculpting, my medium was oils, but here again, I have a logistical problem with space. I am working in a tiny corner of the tiny “sunroom” which is actually just an enclosed porch with a lot of drafty windows, ugly paneling and because of its shape, is more shaded than lighted. I share this space with my parrot, Milo. The fumes from turpentine and linseed oil are not so good for parrots. Also a very steeply sloped ceiling makes setting up my easel impossible. Oils are right out.

so

I decided that I need to develop my ideas using not-toxic materials that can be done in a small setting without spending a fortune. My solution was to learn how to use watercolors and colored pencils. I’m already quite adept with graphite — drawing with graphite is like breathing for me. I used to use charcoal all the time when I was younger, so despite being hideously rusty with charcoal, that’s in the new mix of preferred media.

The first animal I chose to research was the wood stork. By all accounts a most ungainly bird. Ungainly appeals to me. I did some preliminaries and then a graphite portait and a small watercolor. I am proud of  the portrait and not too displeased with the watercolor. Here’s the portrait… what an impressive bird!

Wood Stork by Linda Saboe

Wood Stork, pencil. Resource photo: © Tammy Karr, with permission.

After I worked on this guy, I decided to look for other ungainly birds (I will return to the Wood Stork, I promise). As a lark, I started sketching flamingoes without giving them any serious thought. Suddenly, while trying to figure out that incredible beak, I realized that I needed to research this magnificent bird who has become not much more than a tacky lawn ornament to most in this country.

so here’s some stuff about flamingoes

  • Their name means flame.
  • As far as anyone can tell, they may or may not be related to grebes, storks, ibises, spoonbills, pigeons, doves.
  • There are 6 species, 4 in the new world, 2 in the old.
  • For the grebe-flamingo clade, the taxon Mirandornithes (miraculous birds) has been proposed.
  • Their color comes from the caretenoids in their diet, they filter feed on brine shrimp and blue-green algae.

as i was drawing their beaks during research, it occurred to me that their beaks reminded me of baleen whales.

  • The Ancient Egyptians believed them to be the living representation of the god, Ra.
  • Ancient Romans considered their tongues a delicacy.
  • They were worshipped by the ancient people of Peru.
  • They are the nationals bird of the Bahamas.

and in the United States, we have turned them into cheap, pink plastic lawn ornaments.

Wiki entry for flamingoes is here: https://en.wikipedia.org/wiki/Flamingo for more info.

So, this is the work I started with the flamingo. The flamingo (who was once a god) is teaching me watercolor (slowly and painfully), colored pencil (slowly but not so painfully), and a revisit with my old friend, charcoal. I hope you enjoy the flamingoes, and I hope you notice that this magnificent bird is anything but tacky.

Flamingo in White by Linda Saboe

Flamingo in White by Linda Saboe. Charcoal, 18″x 24″.
Resource photo: Unable to find valid attribution. Google search filename: Udivitelnye-flamingo.jpg

Flamingo Apart by Linda Saboe

Flamingo Apart by Linda Saboe. Watercolor and ink, 10″x 14″, resource photo: Dreamstime/Yinan Zhang.

Synchronized Flamingoes by Linda Saboe

Synchronized Flamingoes. Watercolor and ink, 10″x 14″. No resource, just made up in my head.

 

Flamingo by Linda Saboe

Flamingo by Linda Saboe. Colored pencil, 14 ½“x 18”.
Resource photo: American Flamingo (Phoenicopterus ruber) (cc) Robert Claypool.

Once, I was a God by Linda Saboe

Once, I was a God by Linda Saboe. Colored pencil, 16″x 20 ¼“.  Resource photo: Daniel Healy (still trying to contact him via Your Shot Photo Community, National Geographic).

One other thing I learned…I’m not very good at taking photographs of art. I also like wolverines.

Woverine Watches by Linda Saboe

Woverine Watches by Linda Saboe. Charcoal, 12″x14″.
Resource photos: Dreamstime/Dennis Jacobsen and Dreamstime/Vladislav Jirousek.

But more about her later.

 


research

Quick preliminary sketch to get to know this bird.  What a complicated beak!

flamingo


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