Ladybug by Linda Saboe
So the little ladybug is done. I really enjoyed doing this very tiny watercolor. Only 2 ½ x 3 ½ inches.
getting to know you
An old internet friend commissioned me to do a double portrait of his sweet dogs, who have sadly passed on. Rooney, a chocolate lab and Magic, a black lab were my subjects. I’d never met the dogs, so only had pictures and my friend’s description of what the boys were like.
It is a funny thing but as I draw, I feel like I’m actually getting to know who or what ever I’m drawing (yes, if I draw a rock, I start to feel I know the rock) and it was the same with these two. Rooney seems such a hopeful, serious sort and Magic goofy and playful. Both seemed open and loving and most of all, loved.
So, here’s Rooney & Magic, approximately 16×20 in graphite. It was great getting to know you.
Rooney & Magic, 16×20, graphite.
a most imposing bird
There is this awesome place in Utah that I hope to visit before I die. It’s the Tracy Aviary in Salt Lake City. They have a FB page where they post wonderful photos of their birds. I saw a photo they posted of their Wreathed Hornbill (Rhyticeros undulatus), Zelda. I fell in love with her and wanted to draw her very badly. I requested permission to use their photograph as a reference and they granted it. So without further ado, here’s Zelda.
Zelda. Colored pencil, appx 14″x17″. Reference with permission of Tracy Aviary.
I think she’s the most difficult bird I’ve attempted so far. I hope I did her justice.
dog gargoyle found a home
My little dog gargoyle was in a show recently at the JAM Gallery in Malvern. This little boy has been yearning for a forever home and he found one.
Thanks JAM for the sale!
Dog Gargoyle
pastel by fire
Many decades ago, I bought a set of pastels at a fire sale. It was a real fire at a local store where I lived at the time. The owners sold everything in stock that was not too badly damaged. Mostly, things just smelled of smoke. I scooped up a 90 color set of Rembrandt soft pastels for a song (no dance). I recently looked up the going price for the set in today’s market and it was something over $300.
(ack! I did get a deal)
Anyway, I did of few pictures with them, teaching myself as I went along and they were okay. And then my mom died, life got way busier shuffling home, work, kids, 2 jobs, and all the rest that goes with being a single mom with no money. There was really no room (or time) for art. I did a few pastels now and then for friends but nothing worth noting.
So now with my kinda-sorta project of producing works on paper of animals that are endangered, maligned, or misunderstood, I thought I’d break out the pastels and see if I remembered how to make them work. Here’s the test, on a baby robin that I snapped a picture of while he was perching on the cable wire outside my window. Even though his mom was still feeding him, he felt quite proud of himself and his new found freedom.
Bird on a Wire by Linda Saboe
white on white
I have an online friend who is an amazing artist, sculptor, and photographer. Her wildlife photography brings me to tears (literally) with it’s beauty and sensitivity. Recently, I asked if she’d allow me to use some of her photos as art reference for my work and she said yes.
When I saw her photograph of an egret, I wanted to do a minimalist, “white on white” drawing. Not sure if I pulled it off to my satisfaction but I think it’s okay for a first attempt.
Great Egret by Linda Saboe. Graphite, 9×12″ reference photo by Pat Lillich.
artwork & photos
